Bahamas - page 119

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117
.eet tIe mVTic • .|TicB
1or otra parte, Ma m|TJDa rVTa TJempre Te ha Teva-
Mado por aproWeDhar MaT rJDaT GVenteT GoMLMwrJDaT RVe Te
traTmJten de HeneraDJwn en HeneraDJwn 1odemoT Jma-
HJnar a MoT aCVeMoT reVnJdoT Don TVT nJetoT aMrededor
deM GVeHo, narrando maraWJMMoTaT ha[avaT, mJentraT eM
JnWJerno rVHe mgT aMMg de Ma Wentana ModeTte MoVT-
TorHTLZ, eM Hran DompoTJtor, Te JnTpJrw en Vna oCra de
GoHoM, /oDheT en MaT HranKaT de %eLanLa, para eTDrJCJr
Vna wpera DwmJDa en Ma RVe eM dJaCMo apareDe en doT eT-
DenaT aVnRVe aRVr JnterWJene para RVe Vna KoWen pa-
reKa de DampeTJnoT pVeda DaTarTe Z Ter GeMJ[ -o MoHra
CaKo Ma e¬HJe de Vn pVerDo RVe, DVando Te aToma por
Ma Wentana, aTVTta a MoT WJMManoT Z dJWJerte a MoT hnroeT
-a m|TJDa de MoVTTorHTLZ eT aMeHre Z DontaHJoTa, MMeHa
a TV DMrmaY en eM GamoTo *nterMVdJo /oDhe en Ma grJda
montava, RVe Donmemora Vn GeTtrn de CrVKaT haTta eM
momento en RVe Ma Dampana de Vna JHMeTJa aMeKa todaT
MaT WJTJoneT de maMdad MoVTTorHTLZ no WJWJw para ter-
mJnar Ma wpera TJn emCarHo, Domo TJempre Me TVDedJw,
otroT Te enDarHaron de haDerMo 4heCaMJn reDopJMw MaT
JdeaT Z pVMJw Ma preTentaDJwn, deKgndonoT aMHo RVe CJen
WaMe Ma pena: -a FerJa de 4oroDhJntTZ
0tro rVTo endemonJado GVe Anton RVCJnTteJn &n
5 eTtrenw TV wpera &M %emonJo en 4an 1eterTCVr-
Ho &M arHVmento narra MaT maMdadeT de -VDJGer para
poTeer a 5amara 1rJmero proWoDa a MoT 5grtaroT para
RVe maten aM prometJdo de Ma KoWen, deTpVnT Ma TJHVe
haTta Vn DonWento en donde Me oDaTJona Ma mVerte Don
TV prJmer CeTo -oT gnHeMeT Te enDarHan deM enHendro
JnGernaM Z aDaCan por MMeWarTe a Ma CeMMa 5amara a Vn
MVHar mgT tranRVJMo: eM DJeMo FVe eTta Ma prJmera wpe-
ra rVTa RVe DonoDJw Ma DJVdad de -ondreT en TV JdJoma
orJHJnaM -a oCra de RVCJnTteJn eT mVZ meModJoTa Z eM
aCTVrdo arHVmento no deKa de tener Vna CVena do-
TJT de entretenJmJento 1ero, a|n DVando eYJTten doT
HraCaDJoneT eYDeMenteT, ha Dardo en eM oMWJdo
The music of Russia es rich in its handling of its
abundant folklore, told from generation to genera-
tion. We can imagine the grandparents sitting by
the hearth with their grandchildren. They narrate
great happenings while the Winter wind howls by
the windows. Modeste Moussorgsky, the great com-
poser, was inspired by a tale by Gogol, Nights in the
Farms of Dekanka and wrote a comic opera. The dev-
il appears in two scenes, although he helps a pair
of peasants to marry and be happy. He obtains his
goals disguised as a pigwho seen through a window
causes a riot of fear and makes the heroes content.
Themusic byMoussorgsky is happy and contagious
and arrives at is climax in the famous Interlude A
Night on Bald Mountain which describes a orgy of
witches. When it reaches it most terrible moment a
church bell fromafar dispels all these awful visions.
Moussorgsky did not live to finish the opera. Never-
theless, as was common with his output, others did
it for him. Shebalin put his ideas together and pol-
ished the presentation. The results are worthwhile.
Sorochintsy Fair was finished in 1911.
Another devilish Russian composer was An-
ton Rubinstein. In 1875 he premiered his opera
The Demon in St. Petersburg. The story narrates
de evil of Lucifer and his desire to possess Ta-
mara. He provokes the Tartars in killing her Be-
trothed and later follow her to ca convent where
his kiss kills her. The angels take care of the
infernal one and lead Tamara to a more peace-
ful place, called Heaven. It was the first Russian
opera to reach London in its original form. Ru-
binstein’s opera is melodious and the absurd
happenings on the stage are quite entertaining.
But, although two excellent complete recordings
exist, it is now a relic.
2
GJaDomo
MeZerCeer,
-
64 DompoTJtor
aMemgn DVZaT wperaT
GranDeTaT domJnaron
a 1arrT a medJadoT
deM TJHMo 97*** /
Giacomo Meyerbeer,
(1791-1864) german
composer whose
french operas
reigned in Paris
during the mis
XVIII century.
2 Anton RVCJnTteJn
2 - 4
DompoTJtor Z pJanJTta
rVTo $ompVTo Ma
oCra &M %emonJo
Don nYJto /
Anton Rubinstein
(1829-1894) russian
composer and
pianist. His opera
The Demon
was popular.
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