Since it was inaugurated on 8th November 2001, the Patek Philippe Museum has repeatedly delighted visitors with rare and remarkable exhibits that justify its global stature as a uniquely reputable repository of horological treasures.
Gagosian Gallery present “Claude Monet: Late Work.” The most significant collection of Monet’s late paintings exhibit in New York in more than thirty years will focus on the most important late subjects drawn from his gardens at Giverny Nymphéas, Le pont japonais, and L’allée de rosiers which are among the most treasured paintings of his long and prodigious career.
In view from May 5 through August 15, 2010, “American Woman: Fashioning a National Identity” focuses on archetypes of American femininity through dress, the exhibition reveals how the American woman initiated style revolutions that mirrored her social, political, and sartorial emancipation.
We had finally found it! From far away it looked precisely like a four-meter tall giant with opened arms and legs and in a defying attitude.
We must have one thing in mind when we look at the work of the North American artist Robert Gober (Connecticut, 1954), some dark intentions lay behind the most trivial objects.
Casa Vecina was inaugurated during October of 2005 thanks to the initiative of the Fundación del Centro Histórico de la Ciudad de México A.C. it is found in one of the most impor- tant zones of the Historical Center, next to the pedestrian street Regina
And then the unimaginable was manifested with great intensity: We were around 120 people. We found ourselves on the 51st floor of the tallest skyscraper in Mexico City – in the middle of a delirious atmosphere- while nature wasn’t overflowing even with the fact of being surrounded by giraffes, hippopotamus, Bengal tigers, fishes, elephants and even sharks.
The Roni Horn aka Roni Horn exhibition, is a review about the north American artist's work with more than two decades of plastic production, and it’s actually presenting on the Tate Modern (London) until may 25th.
The beauty and complexity of the visual stimuli in the world we live in or in which we move as travelers, is endlessly vast and rich. To know how to see and to feel what is discovered by seeing, is the fifth essence in the art of travelling.
To be petrified before a painting could only be another metaphor, which through rhetoric, could pretend to give a clear explanation to the bunch of emotions that are experimented while observing a painting; nevertheless, in the case of Ricardo Amezcua Cuspinera’s work, this phenomenon could be an inherent risk while contemplating it.